Centro Virtual de Arte Argentino

 

Norberto Gómez

by

Adriana Lauria and Enrique Llambías
March 2006

This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.